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![]() ![]() ![]() The music builds and builds to envelop your ears, and with the brilliant stage set up you get drawn into the story. I hear the word “cinematic” thrown around a lot when it comes to the music of Lord Huron, but there really is an expansive quality to it. Ben, along with Mark Barry on drums, Miguel Briseño on bass, and Tom Renaud on guitar - with Misty Boyce on piano and keyboards and Brandon Walters on guitar - were set up along tiers of the stage amidst the desert backdrop. So, on a hot afternoon overlooking the Baltimore Harbor, I had the great fortune to witness Lord Huron as they took the stage on their first tour since music touring stopped due to the Covid-19 pandemic.Īfter a beautiful set by singer-songwriter Allison Ponthier, Lord Huron took the stage to the slow rise of lights at the back of the stage like a blooming sunrise beyond the Western horizon to the opening strums of “The Moon Doesn’t Mind” and into the single “Mine Forever” and the danceable groove of “Meet Me in the Woods.”Īfter a quick breather, Ben Schneider (vocals / guitar) announced that the band was glad to be back on the road, having just started their first tour in two years just a handful of days before. There’s a mystic quality that takes the listener along for a ride and keeps them coming back. There’s something to the music of Lord Huron that flows from aesthetics of great fiction, whether it be pulp novels of the turn of the last century in Strange Trails idealized visions of the future in Vide Noir or the imagined world of early variety television that inhabits Long Lost, the most recent release from this LA-by-way-of-Lansing quartet. I hadn’t been able to catch them on stage however - that is until Monday night at the MECU Pavilion in Baltimore. But one spin of Strange Tails and I was hooked. I have to admit that until a good friend of mine turned me onto them a few years ago, Lord Huron wasn’t on my radar. ![]() Lord Huron performs at MECU Pavilion on Sept. ![]() ![]() ![]() The company hasn’t announced a firm date for when the first public preview will launch but in the meantime, you can check out existing feature requests and also submit your own here.Īt the moment, the top three feature requests are color coded tabs, vertical tabs, and Linux support. Microsoft says those are only “a few highlights of our work in progress, but we welcome your initial thoughts on the direction we’re taking for Visual Studio 2022.” The new Git experience from Visual Studio will also be coming to Visual Studio for Mac, beginning with the introduction of the Git Changes tool window. We’re updating the menus and terminology across the IDE to make Visual Studio more consistent between Mac and Windows. It also means that Visual Studio for Mac can take full advantage of all the built-in macOS accessibility features. We’re working to move Visual Studio for Mac to native macOS UI, which means it will come with better performance and reliability. NET IDE tailored for the Mac that delivers the productive experience you’ve come to love in Visual Studio. Our goal with Visual Studio 2022 for Mac is to make a modern. Like the Windows version, Visual Studio 2022 for Mac will also come with the new GitHub integration. Specifically for Mac, Visual Studio 2022 brings a whole new native macOS UI, improved performance and reliability, and can leverage all of the operating system’s accessibility features. ![]() We’re making it easier to collaborate with better GitHub integration making it seamless to go from idea to code to the cloud. It’s become apparent over the last year that organizations need their development teams to collaborate securely, deliver solutions more quickly, and continuously improve their end-user satisfaction and value. The user experience will feel cleaner, intelligent, and action oriented.ĭevelopment teams have become more geographically dispersed than ever. For the first time ever, Visual Studio will be 64-bit. The next major release of Visual Studio will be faster, more approachable, and more lightweight, designed for both learners and those building industrial scale solutions. ![]() Microsoft shared the first public preview of the Visual Studio 2022 IDE will arrive sometime this summer in a blog post today.Īlong with increased speed and cleaner design, the app will be 64-bit, more lightweight, and offer a better experience to collaborate remotely. Along with a number of changes and enhancements, the latest app development software will arrive with an all-new Mac version that includes a native UI, improved performance and reliability, support for macOS accessibility features, and more. Microsoft has announced that a public preview for its Visual Studio 2022 will be coming soon. ![]() ![]() ![]() Ĭlick on the Galaxy Copy layer and go to Filters> Blur> Circular Motion Blur. Create a 'Black Hole' layerĭuplicate the main Galaxy layer by clicking on the layer and clicking the 'Duplicate' icon in the Layers panel. Select Alignment tool from Toolbox, in Tool Options, click on the image, change 'Align Relative to:' to 'Image', then click on 2 options 'Align center of target' and 'Align middle of target'. When the image is scaled down, the user can use the Alignment tool so that the image is centered on the canvas. Click the Scale button to apply the effect. After that, users can click on the 4 boxes in the middle of the image to align them so that it is in the center of the canvas. Height will automatically adjust accordingly. To do this, make sure the chain link icon is locked (to keep the ratio between width and height), then set the width to 25inch. Make sure the unit is set to inch and we will reduce the size of the image so that it is slightly larger than the canvas (the canvas size is 24 × 36inch and the image size will be about 47 × 84inch). The reader may notice that the image is much larger than the canvas, so select the Scale tool and click the image to display the Scale dialog box. Depending on the size of the image in use, it may take several seconds or longer to apply the effect. In the example case, we will rotate the image 90 degrees, so enter 90 into the Angle section. Next, with the Galaxy layer selected, click on the Rotate tool and click on the Galaxy image. Rotate and adjust the image size with the Transform tool This will add the image to its own layer.ĭouble click on the layer name in the Layers panel and change the name to 'Galaxy'. This step will create a layer containing the floating selection.Ĭlick on the layer containing the floating selection and click on the 'Create new layer' icon in the Layers panel. Then select the tab (if you're using one-window mode) containing an empty canvas in GIMP and select Edit> Paste. Or, if you open the image using the first method, the user will have to go to Edit> Copy on the imported image. Users can also just click and drag the file from its location into the GIMP canvas and the image will be placed on its own layer (the file name matches the layer name). Enter the imageĪfter the canvas is empty, open the image in GIMP by going to File> Open and locating the file on the computer. OPTION: You can also change the 'Precision option' to '32 -bit floating point ' and optionally ' Gamma ' to ' Linear Light ' if you want to make the most of GIMP's capabilities with high-performance computers. But if the computer can handle such large files, just click OK to create the image. This resolution may cause the warning appearing in GIMP to indicate that the file size will be very large. But usually, for the best print quality, the resolution should be at 300ppi. The resolution of the image is set to 72ppi in advanced options to ensure the file size is not too large. There are a few standard sizes for posters, but the article will use 24x36inch (60x91cm). Start by creating a new image of any size you like. ![]() ![]() ![]() ![]() I switched programs to one that actually needed what I had to offer in terms of talent, outlook, and enthusiasm. And the scary part is I wasn't even fully in the private sector I was working for the Department of Defense.įortunately by the end of the first year of my transition, I'd found my footing, job-wise. I missed being on active duty more than I thought I would. I was more lost (and depressed) than I ever thought I would be. In spite of all my "prep" for the transition (including mandatory TAP, of course) I wasn't prepared for the subjective part of the move – the "spiritual" side, if you will. ![]() Nobody was going to be filming any movies about the action-packed life of a civil servant. I had no master chiefs to keep me out of trouble. I had no detailer to call for my next set of orders. "Glory days, they'll pass you by glory days, like the wink in a young girl's eye. I felt like I was stuck in that Bruce Springsteen song "Glory Days": Instead of flying fighters and leading troops I was now tasked with, among other minutiae, updating the program's social roster. Who was I relative to my co-workers? Absent rank on my collar or warfare devices and ribbons on my chest what did they know (or care) about my years of service? Sure, there were job titles and GS pay scales, but those didn't replicate the structure I'd known during my time on active duty. So among my fears as I transitioned to my first civilian job – that of a civil servant working one of the aircraft programs at a systems command – was that my day-to-day efforts wouldn't amount to anything important.Īs I traded my flight suit for khakis and a golf shirt I was thrust into a world of grey areas. We had carried out the important missions we'd been given. I'd flown from aircraft carriers sailing in hostile waters and worked with incredible professionals. ![]() Of course there were bad days and the challenges of long periods of family separation, but I was living a life of consequence, working a job that Hollywood makes movies about. You see, like most of us who stay in the military past our initial obligations, I enjoyed what I was doing. ![]() |
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